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Joseph Semah was born in 1948
in Israel and lives and works in Amsterdam .
The first day of the Gulf War, Joseph graps a stack of drawing paper and starts to draw: the skull of a female sheep. This drawing became the starting point for a combination of drawing and collage.
from the same position, as a start of a more elaborate drawing/collage. Thirty-three drawings, thirty-three limitations.
the only drawing that counts is the one he made the day his mother arrived in Amsterdam. After all, the centre of all drawings is his mother, the woman. For Joseph, the skull of the female-sheep is symbol for the woman, the mother, the womb.
constitute the synopsis of a war, but at the same time it is a monument for the woman, the mother.
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