Born :
1959 in Johannesburg, South-Africa
Education :
1984: Rietveld Academy, Amsterdam,
The Netherlands
Exhibitions :
1993 - 1996 (a choice of group and solo exhibitions) :
1984: Jurka gallery, Amsterdam,
The Netherlands
1984: Edward Totah Gallery, London, Great Britain
1985: Bond street Gallery, New York, USA
1986: Art Fair, Zurich
1986: Musee Historique Staasburg
1989: The Gallery, New York, USA
1989: Arti et Amicitea, Amsterdam, The Netherlands
1990: Museum Fodor, Amsterdam, The Netherlands
1991: Daniel Newburg Gallery (project-room), New York, USA
1992: Seasons gallery, The Hague, The Netherlands
1992: Daniel Newburg Gallery (with After Nature), New York, USA
1992: Thread Wasing Space (curated by Saul Osterhof), New York,
USA
1992: Circulo De Belle Arts, Madrid, Spain
1992: Art Fair Los Angeles (After Nature-performance), USA
1993: Bard Collage (curated by Ross Sormani), New York, USA
1994: Fishinger Gallery, Stuttgart, Germany
1995: Z-Gallery, New York, USA
1995: Kunstheus Bolde Phortzheim (Voss Leippert Galan)
1996: Museum of Katwijk, The Netherlands
1996: Fishinger Gallery, Stuttgart, Germany
Publications 1984 - 1994 :
Publications in several catalogues,
diaries, newspapers in Europe and USA.
MESSAGE
Ann Wilson Lloyd in "Art in America", may 1992.
After Nature, a group of six earnest young Dutch artists (Ernst
Voss, Jurriaan van Hall, PeterKlashorst, Bart Domburg, Gijs and
Aad Donker), held a four-week paint-in on gallery premisis, gradually
filling the walls with their efforts and the floor with beer
cans and pizza cartons. The overall scene was one of good natured
chaos and brisk energy, and the works-on-the-spot portraits and
self-portraits, nudes and street scenes- reflected this. All
were done in a raw, freewheeling,representational style.
The members of After Nature maintain that their intent is to
learn to paint like 17th-century masterswhile still seeing today's
reality with the innocence of a child. Reeducating the eye, they
feel, is the essence of what art should do today, and to this
end they have vowed the full disclosure of all their works, good
or bad. Only Klashorst and Voss hedge ever so slightly. Voss
expressed some chagrin at the group's disinclination to edit
the works on view at Newburg (Daniel Newburg Gallery, New York).
Reproduced examples of his own paintings (of skulls and monkeys)
in After Nature's offbeat catalogue and date book (After Nature-agenda
- Raiders of thelost Art) do indicate a more polished technique
than that of most of the work that was on display. It is perhaps
a sign of the group's success that After Nature has been branded
as reactionary by some art critics in the Netherlands and its
actions dismissed as jokes. After Nature is truly a movement
for the '90s. |